The British Electroacoustic Network (BEAN) is the national body for electroacoustic music in Britain.

The network connects electroacoustic composers, performers, and listeners from across Britain. It aims to generate and promote new electroacoustic music, disseminate electroacoustic music through concerts and events, and increase access to electroacoustic music (through the promotion of calls for works, events, and competitions) . As the national body , BEAN aims to promote British electroacoustic music overseas. It is the National Federation Member of the International Confederation of Electroacoustic Music, an NGO Partner of UNESCO and Member of International Music Council.

Latest News

British Electroacoustic Competition Call for Works Winners Announced!

British Electroacoustic Competition Call for Works Winners Announced! In May we launched a call for works in order to find a selection of pieces to represent Great Britain at the forthcoming CIME General Assembly Meeting as a part of MUSICACOUSTICA-Hangzhou. With a staggering 49 submissions, the four jurors (Diana Salazar, Adam Stanovic, James Andean, and…

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The British-Austrian Friends of Acousmatic Music

A month ago, the British ElectroAcoustic Network collaborated in the production of two days of concerts produced by GARS ELECTRONICA and O.A.D.E.M. – Ode an die Elektroakustische Musik – Austria. The concerts were beautifully curated by Louise Rossiter – a BEAN committee member – who programmed seven mini-concerts featuring works by various British composers, including:…

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Update: Back from the wilderness…

Update: Back from the wilderness… Hello to all our lovely BEAN members! It has been a long period of radio silence from us, for which we apologise – but what a long strange few years it has been: nationally, internationally, professionally, and personally. But, that’s all behind us now; time to look towards the future!…

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Featured Opportunity

MUSICACOUSTICA-HANGZHOU 2026 Call for Works

Free | Hangzhou, China | Deadline: 30 August 2026

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MUSICACOUSTICA-HANGZHOU 2026 will present multiple concerts showcasing a wide range of styles in electroacoustic music, highlighting cutting-edge developments in electronic music composition and performance at home and abroad. The festival now invites works from scholars, composers, and students in the global electroacoustic music community. The organizing committee will select outstanding submissions for inclusion in the concert programs according to the focus of each session.

Submission categories include fixed media, instruments with electronics, multimedia compositions, interactive compositions, and other innovative hybrid forms. This year we especially encourage interactive electroacoustic music works — in particular, pieces that integrate artificial intelligence and combine technological innovation with strong artistic expression. Submissions should pursue novel forms and distinct styles, and demonstrate high musical and technical quality. There is no strict time limit, though a suggested duration is under 10 minutes.

Submission deadline: August 30, 2026. Selected works will be announced on the festival website and via multiple platforms including the Electroacoustic Music Association of China (EMAC) WeChat account, Zhejiang Conservatory of Music WeChat account, and the Department of Music Engineering WeChat account.

Please submit works at: https://zjcmmed.mike-x.com/npiOd or scan the QR code below:

Organizing Committee of MUSICACOUSTICA-HANGZHOU 2026

https://musicacoustica.zjcm.edu.cn

Upcoming Events

Plantastic Sciontists

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Shyte or alright? Helen Stead has been experimenting with those synthesisers that reckon they translate plant vibes into music

Shyte or alright? Helen Stead has been experimenting with those synthesisers that reckon they translate plant vibes into music – she’ll be demonstrating them to show if they’re gimmicky shyte, or if they’re actually alright!

Workshops are free and are women and underrepresented gender exclusive

Funded through Yorkshire Sound Women Network

Wired headphones would be useful and if you want to take sounds away a DAW

Free (Ticketed)

1 In 12 Club, 21-23 Albion Street, Bradford BD1 2LY

8 August 2026

1pm

Sounds of future past: explore Daphne Oram’s archive recordings

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Experiment and create with the unique sounds of an electronic music trailblazer, in this free workshop for women and gender-diverse people.

YSWN Huddersfield Makers and the Daphne Oram Trust invite you to make music using the recorded legacy of pioneering electronic composer Daphne Oram (1925-2003).

To celebrate last year’s centenary of her birth, the Daphne Oram Trust have curated a special sample pack of sounds taken from archive tapes in her own collection.

Recorded between 1956-1974, these recordings of Daphne’s music, sound design and own spoken words come from a period of great innovation, in which she co-founded the BBC Radiophonic Workshop before leaving in frustration to set up Tower Folly, the first electronic music studio founded by a woman. There, she created music for films and adverts and worked on bringing to life her Oramics machine, a groundbreaking optical synthesiser. The samples were recently reimagined by artists including Cosey Fanni Tutti, Nwando Ebizie and Lola de la Mata for the album var/iations: Ode to Oram – and now it’s your turn!

Join artist and musician Sophie Cooper as we explore the sample pack and experiment with its sounds to improvise a new collective piece. Open to music-makers of any experience level or none, this workshop is a friendly and fun session where the unique sounds from Daphne’s imagination will open doors to your own creativity.

The workshop takes place in room RS G/01 in the Richard Steinitz Building at the University of Huddersfield. All equipment will be provided, but if you do have any electronic music-making kit (such as samplers, controllers or effects pedals) of your own, feel free to bring it along.

This workshop is hosted by the YSWN Huddersfield Makers group and so is aimed at an audience of women (cis and trans) and gender-diverse people aged 16+.

There are limited spaces available, so book now to guarantee your place.

Access info: The workshop takes place in a ground-floor room with level access and accessible toilets. Floor plans with access information can be viewed here. Please get in touch by emailing hudds.yswn@gmail.com if you have any additional access requirements that would make it easier for you to enjoy this event.

Part of the Daphne Oram Trust’s Daphne Oram at 100 project, supported by the National Lottery Heritage Fund.

Photo: Daphne Oram and the Oramics Machine by Fred Wood © Daphne Oram Trust. Image provided by Special Collections & Archives, Goldsmiths University of London with permission from the Daphne Oram Trust.

Become a Member

BEAN membership is free to join for UK* and international members. The registration is linked below, and doing so only takes a minute. By signing up you will receive monthly digests of opportunities and events around the country, as well as being able to submit your own events and calls across the network!

*UK members include anybody currently living/working/studying in the UK, or British Citizens working abroad.

Please note that opportunities and events submitted by international members are considered for publication based on their relevance and accessibility to UK members.

Donate to BEAN

While membership remains 100% free, donations are greatly appreciated. The money received goes towards running costs for this website, and the annual CIME membership fees. Any donations received beyond this amount will be put solely toward the upkeep and expansion of the platform.

©British Electroacoustic Network 2026