The British Electroacoustic Network (BEAN) is the national body for electroacoustic music in Britain.

The network connects electroacoustic composers, performers, and listeners from across Britain. It aims to generate and promote new electroacoustic music, disseminate electroacoustic music through concerts and events, and increase access to electroacoustic music (through the promotion of calls for works, events, and competitions) . As the national body , BEAN aims to promote British electroacoustic music overseas. It is the National Federation Member of the International Confederation of Electroacoustic Music, an NGO Partner of UNESCO and Member of International Music Council.

Places We’ve Been

Each year we shortlist 10 works to represent BEAN in performances for the upcoming year, see where they’ve gone!

  • Take me Back to Indonesia – Boyi Bai
  • Chasm – Sarah Keirle-Dos Santos
  • Voice/Break – Scarlett Henderson
  • Take me Back to Indonesia – Boyi Bai
  • Take me Back to Indonesia – Boyi Bai
  • Chasm – Sarah Keirle-Dos Santos
  • Voice/Break – Scarlett Henderson
  • All That Remains – Garling Wu & Jessie Leov
  • Sandhaven Jetty – Pete Stollery

Featured Opportunity

MAGNETICA 2027 | Call for Participation

Free | Florence, Italy | Deadline: 25 October 2026

More info

APPLICATION FOR TALK

During the three days of MAGNETICA an important space will be dedicated to dialogue and comparison between musicians. Candidates and candidates are invited to present a short intervention (of a duration of not more than 10’) on a research project or on their own electroacoustic work inherent in one of the three main themes of MAGNETICA: a) sound art and sound installations ; b) relationship between composition and improvisation; c) relationship between sound research, market and electronic communities

The interventions will be moderated by experienced people in the sector and will be informal. Participants will also be given the opportunity to project images and videos and listen to sound examples (exclusively stereophonic). Each participant must bring their own computer if required for their presentation; the connection to the video system will be HDMI and analog audio (minijack).

N.B. For the talks there is no compensation and no travel or accommodation expenses will be reimbursed.

APPLICATION FOR CONCERT

The three afternoons and the first two evenings of MAGNETICA will host concerts of electronic and acoustic music. You can propose with your application three types of contribution for a concert:

a) electro-acoustic work fixed on support (max. duration: 10’);

b) audiovisual work fixed on support (max. duration: 10’);

c) work of live electroacoustic music, possibly also with video and / or voice (max 12’ duration).

Each live project must involve a maximum of two performers and include at least one electronic performer; the live shows can be completely improvised, follow an original score or any intermediate mode. The concerts will take place at the Auditorium Centro Rogers in Scandicci.

Tempo Reale will take care of the technical set-ups and the direction of sound for the live works. A frontal dissemination system (for live and audiovisual works) and a multi-channel system (for works on support) will be set up. The detailed data sheet of the technical equipment will be provided to the selected artists. No backline can be provided (except supports, sessions, rods and the like).

To participate in MAGNETICA 2027 you must fill out the following form by 23:59 of October 25, 2026.

Each question must contain:

  • Curriculum of the candidate (i.e. the bio short request in the form)
  • Authorization for personal data processing pursuant to GDPR 2016/679
  • To apply for application A and participate in the workshop of Christina Kubisch, we require the sending of a work representative of her artistic research, carried out in the last five years. The work presented must preferably be due to practices of electroacoustic composition based on field recording, soundscape composition, sound installation, site-specific performance or, more generally, projects that investigate the relationship between sound, space and environment. The material can be presented through audio/video files or links, for a maximum duration of 8 minutes or through an equivalent extract, accompanied by a brief description of the project.
  • To apply for application B and hold a talk, we require the sending of an abstract of up to 300 words on the topic you want to present, highlighting which of the three themes of MAGNETICA (see above) you intend to connect.
  • To apply for C and play in concert , we require the sending of the audio recording in .wav format (in the case of acoustic songs) or audiovisual in .mp4 format (in the case of live songs) of the electroacoustic work that you want to present live by attaching a brief description, specifying the type of work (see above).
  • Registration must be sent exclusively in the form of a private link and not as an attached file.
  • N.B. For acoustic and live concerts, the minimum cachet provided by the reference CCNL (equal to 73 euros gross) is provided, including the relative contribution payments INPS / Ex Enpals charged to Real Time. There are no refunds for travel or accommodation expenses.

  • The selection of the participants will be carried out in an unquestionable way by the artistic-scientific committee of MAGNETICA on the basis of the documentation submitted, possibly supplemented by further documentation and / or interviews as needed. The results of the selections will be published on the Real Time website by   November 30, 2026.  The calendar will be announced following the selections as soon as possible.
  • Tempo Reale will make available two travel contributions for students with proven economic and logistical difficulties to participate in MAGNETICA. The two contributions will be allocated in an unquestionable way by the artistic-scientific committee of MAGNETICA.

For further information or clarifications write to: magnetica@temporeale.it

Upcoming Events

River Irwell Soundwalk

Free (ticketed) | New Adelphi Exhibition Gallery

21 October 2026 – 12.30pm

More info

Join artists Hayley Suviste and Lizzie King for a guided sound walk along the River Irwell in Peel Park.

During this soundwalk, we will slow down and listen closely to the river and its surroundings, using different recording methods to explore often-hidden layers of sound, including the river’s underwater world. The walk will end with a relaxed conversation over hot drinks back at the New Adelphi Exhibition Gallery about what we noticed, heard, and experienced.

The walk builds on approaches developed through The River Has Many Lives, an audio-visual artwork currently showing as part of the Carry the Clouds Away exhibition which explores the varied ways in which we find inspiration, connection, and solace in places of nature.

This workshop will be ran as part of Go Green week festival with the University of Salford Sustainability team!

For the soundwalk guests will meet at 12:30 at the New Adelphi Exhibition Gallery, before walking down to the river to commence the sound walk. We will then return to the gallery to talk about our findings over hot drinks!

This event is free, however you must book your free tickets in advance. Spaces are limited so make sure to book.

The New Adelphi Exhibition Gallery is located on the ground floor of the New Adelphi building. The gallery is wheelchair accessible, with seating, toilets, and a shop/cafe for refreshments available within the New Adelphi building.

Read more on our Carry the Clouds Away exhibition here.

See our Visit us page here.

For further access queries email: artcollection@salford.ac.uk

BEASTdome feat. Annette Vande Gorne

Tickets (£10 maximum) | The Dome, University of Birmingham

24 October 2026 – 6.30pm

More info

BEASTdome feat. Annette Vande Gorne, Saturday 24 October
Head to the link in our bio for Tickets and Full Details.

As part of her 80th Birthday Celebrations, BEAST is delighted to welcome electroacoustic pioneer Annette Vande Gorne for our Autumn BEASTdome evening.
Founder of the Musiques & Recherches centre and the internationally renowned L’Espace du Son festival, she has been instrumental in shaping both the practice and dissemination of acousmatic art. Her work explores the physical and energetic qualities of sound, often drawing inspiration from nature, while placing particular emphasis on spatial composition as a central musical parameter.

18:30 – Sat 24th – BEAST Composers and works selected through the British Electroacoustic Network Call for Works.
20:00 – Sat 24th – Annette Vande Gorne.
11:00 – Sun 25th – Diffusion Workshop with Annette Vande Gorne (Free, Booking Essential)

Become a Member

BEAN membership is free to join for UK* and international members. The registration is linked below, and doing so only takes a minute. By signing up you will receive monthly digests of opportunities and events around the country, as well as being able to submit your own events and calls across the network!

*UK members include anybody currently living/working/studying in the UK, or British Citizens working abroad.

Please note that opportunities and events submitted by international members are considered for publication based on their relevance and accessibility to UK members.

Donate to BEAN

While membership remains 100% free, donations are greatly appreciated. The money received goes towards running costs for this website, and the annual CIME membership fees. Any donations received beyond this amount will be put solely toward the upkeep and expansion of the platform.

©British Electroacoustic Network 2026