Viel submitted for XXIIth International Conference on Electroacoustic Music, CCEC

Following the recent CIME call for works, at which Ambrose Seddon’s Traces of Play was put forward, BEAN have received news that the Universidad Nacional de Córdoba y el CCEC (Centro Cultural España Córdoba) are organizing the XXIIth International Conference on Electroacoustic Music – Virginie Viel’s La Dame Blanches has been proposed; this submission from DMU was rated second by the international jury, and is a suitable length for the call. More information to follow in due course…

Seddon selected for CIME

Thank you ever so much to everyone who sent submissions to the recent call for works. Three international reviewers kindly gave up their time to consider submissions (Elizabeth Anderson, Felipe Otondo, and Laurie Radford) and we are delighted to announce that Ambrose Seddon’s ‘Traces of Play’ will represent the British ElectroAcoustic Network’s submission to the CIME AGM in Beijing 2018.
Each reviewer (quite independently) mentioned the extremely high level of work submitted, and all spoke of the difficulties in making a selection – it is therefore a pity that we are only able to present one piece this year.
Congratulations to Ambrose Seddon!

Andean’s submission in Tehran

James Andean’s Dechirure has been selected for the CIME call for works at the CIME Spectro Centre for New Music, during the 2nd International Tehran Contemporary Music Festival in Iran. The event took place at the Tehran Contemporary Art Museum (TMOCA) and was evently well-received in the press: for more details, see: here.

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