The British ElectroAcoustic Network is extremely proud to announce a two-day event, to be hosted at the University of Greenwich. The event celebrates a very significant anniversary: 40 years since the founding of EMAS (The Electroacoustic Music Association of Great Britain). As part of the celebrations, we have announced a call for attendance, pieces, and papers: follow this link for more details!
Following the recent CIME call for works, at which Ambrose Seddon’s Traces of Play was put forward, BEAN have received news that the Universidad Nacional de Córdoba y el CCEC (Centro Cultural España Córdoba) are organizing the XXIIth International Conference on Electroacoustic Music – Virginie Viel’s La Dame Blanches has been proposed; this submission from DMU was rated second by the international jury, and is a suitable length for the call. More information to follow in due course…
Andrew Lewis’ submission for the CIME AGM has been published on a collection of works from the event. CIME selected one work from each member, and Lewis’ Skyline was successful. For more information, see: here
James Andean’s Dechirure has been selected for the CIME call for works at the CIME Spectro Centre for New Music, during the 2nd International Tehran Contemporary Music Festival in Iran. The event took place at the Tehran Contemporary Art Museum (TMOCA) and was evently well-received in the press: for more details, see: here.
The British ElectroAcoustic Network recently put forward a series of works for the Brussels Electronic Marathon, organised by Todor Todoroff. Abstracted Journeys by Andrew Hill was performed in concert 3: for more information, see here.
The British ElectroAcoustic Network is extremely pleased to announce that it is now a full member of the International Confederation of Electroacoustic Music (CIME), and officially listed on their website: http://www.cime-icem.net/members/
